Interview Sloane Leong Vincent Kings

“You Also Wanna Have a Couple Weirdos”: Sloane Leong Talks to Vincent Kings

Vincent Kings is Southern Californian illustrator presently dwelling and dealing on the Maison des Auteurs comedian artist residency in Angouleme, France. He has illustrated covers and comic points for New Worlds Comics, revealed work in Heavy Metallic, and his full-length graphic novel with author Chris Miskiewicz is due out from Z2 Comics later this yr. Prior to shifting to France, he worked as a Cinematic Artist at Telltale video games on such properties as Batman, Minecraft: Story Mode, and The Walking Lifeless. After lunch Vincent stopped by my studio at the MdA and we talked about his latest oil-painted comic, his background and improvement as a cartoonist.

Sloane Leong: Can you inform us a little bit about your current challenge?

Vincent Kings: Positive, I’m working on The Weight of the World which is an oil-painted graphic novel of a hundred pages. The gist of it is that there’s a meteorite which can crash into earth and make it uninhabitable for ten years. So humanity’s constructing a bunch of rocket ships to go reside in orbit for that point, and area is restricted in order that they have some exhausting selections to make about what to take with them. The museum director of Paris is in cost or selecting which is artwork is going to go on the rocket ship – but any quantity of artwork he saves goes to take away spots from dwelling individuals. And a pair of sisters – one who is an aspiring artist and the other who is an aspiring revolutionary – determine they want to sway him someway.

Crazy. (Laughs)


That’s pretty dense for just a hundred web page story.

Yeah. (Laughs) I’ve the finished script although, so it can be achieved I swear!

(Laughs) What was the inspiration for this story?

Principally it was getting in any respect the questions that I was asking myself as a child in art faculty, like what’s the position of art? How is it helpful? I went into artwork faculty with type of a huge chip on my shoulder, like: ‘No this is important I swear. This is a worthy thing for an eighteen-year-old to pursue!’ I’m less that approach now I feel, however that was the impetus – to provide you with probably the most – I dunno-  urgent approach to pose the question and heighten the stakes. It’s an autobiographical comedian in disguise.

How long ago have been you in artwork faculty?

I’m twenty-five so that might have been…not that long ago. I had this idea six years ago.

Six years?

Oops, seven. Sorry,  I’m newly twenty five .

Okay so not too long ago. And also you’ve discovered that these questions are still very related to you? Or do you answer them in your comedian?

Truthfully I began rewriting the story as soon as I got here to France as a result of it turned clear that there was so much extra that I had to handle. Obviously when you have individuals who have to be chosen over others you might have a entire bunch of other societal questions that come up, and I’ve tried to do my due diligence to research France and make it a thing that is culturally particular. However I’m all the time going to be an American writing about France.

Why the setting? Why select France?

At first it was literally simply because the Louvre is here, and the story is so huge in stakes that I needed the most important art assortment on the earth to be on the road. However as soon as I obtained here I started to recognize the worth of setting it in a country with such a rich historical past of social unrest too – eager about the varied revolutions, Algerian Struggle refugee crisis, riots of Might 1968, and the current Gilet Jaune motion.

I’m curious as to how such an epic and sort of darkish story feeds into the questions of art, which means and objective?

It’s a robust stability because if I do my job right and get individuals to really care concerning the characters, are individuals actually going to need to stop to ask about like – the Venus de Milo? However I’m making an attempt to ensure it all the time looks like a compelling two-sided argument.

Hmmm. Fascinating. How do you are feeling personally pursuing art? Obviously, you’re nonetheless drawing so that you assume it’s value it.

Proper, I didn’t surrender on it! I assume what I’ve come to is that there are real heroes on the earth with their heads down, working exhausting to maintain things operating correctly and just survive. However you additionally wanna have a couple weirdos who lookup every as soon as in a whereas, and actually look at the course we’re moving into and the things we is perhaps dropping on our method there – and hopefully make art that communicates that. So for me personally, that’s the value of art – and I’m making an attempt to infuse that into the story,  that a museum collection is like a catalogue of a society’s values and id. So can a society survive if it loses its historical past, you recognize?


I’ll deliver up a quote that I have no hope of correctly delivering, but I’ll paraphrase. It’s a letter that John Adams wrote to his wife the place he stated, ‘I must study military and tactics so that my son can study politics and history, so that his son can study building and architecture, so that his son can study painting and drawing.’ So who is aware of what number of generations there have truly been since he wrote that, however I like the concept once you construct a secure society that meets individuals’s primary wants, the very best aspiration of it’s to give individuals a probability to really assume and be artistic and be…I don’t know spiritually wealthy individuals, I assume. So I’ve been fortunate to have that probability and have taken it. And I’m making an attempt to be responsible and… worthy of that opportunity, does that make sense?

Yeah it does. So what are some works which might be inspiring this type of…or doesn’t have to be inspired by…however perhaps works which are in conversation with this piece.

Hmm, properly my favorite comic of all time is Gabriel Bá and Fabio Moon’s Daytripper. That to me is to me a comic that sets out with a weighty query of what makes a life, you recognize, value dwelling. And then explores that in a actually lovely and poetic means. It’s a comedian with a actual intention to it. Gosh what else? (Laughs) Truly there’s a movie that meant a lot to me for this challenge — Brassed Off. It’s set in Britain in the course of the Thatcher mine closure interval. And it’s it’s based mostly on the true story of this mining town that had a little brass band that was their satisfaction and joy, but their group goes to be torn aside by the mine closure and the brass band is like, ‘You know what? We’re still going to be the most effective damn brass band we may be to draw attention to our plight’. And that type of love of artwork in the face of a real working class social drawback – an apocalypse for this little group, actually… it was tremendous useful to me in conceiving of my story.


Oh! And then there’s this comic referred to as Five Weapons by Jimmy Robinson. And that one I just stole the format scheme from. He does these full-width panels stacked on prime of each other, so there’s no query how to read it, and I assumed that might be type of a cool approach to strategy oil-painting a comedian as a result of a easy format scheme hopefully combats how static work can typically be.


The tales aren’t notably comparable however (Laughs) I take good ideas wherever I discover ‘em.

Yeah, yeah. Have you all the time achieved comics and or do you come from a more fantastic artwork background?

I have a bizarre comic schooling. I drew and skim a truthful quantity of comics as a child. But I sort of missed or a minimum of was unaware of the 90’s comic ebook goldrush. So I bought some second-hand eBay tons to to sort of buff up. But I by no means truthfully acquired the expertise of going into the comic store on Wednesdays to get stuff.

I went to college for animation, principally as a result of there’s not a entire lot of comedian majors in the US and it just didn’t occur to me to do illustration. I ended up hanging out with all the wonderful art youngsters whereas I was there though, so I ended up with animation storytelling utilized to oil-painted pictures. It’s sort of odd background nevertheless it all the time made sense to me (Laughs) Once I graduated I worked in video games cuz that was the job I might get. I labored a yr and a half at TellTale Games, and left mere months before they went bankrupt. All my associates lost their jobs and it was really horrible.

Yeah that’s so sad.

I personally took a weird message from it like: ‘You can’t come again from doing all of your comics factor now’. And I’ve been loving this city and I’ve been staying much longer than I anticipated so… yeah, I’m one of the lucky ones I assume.

Yeah, yeah, yeah.

However it’s been type of an odd path. And I’m simply starting it, you understand?

So why oils in your undertaking?

Properly it’s an epic story concerning the Louvre, so I assumed it must be illustrated in the manner of probably the most epic works in their collection. Plus I have this, this fascination with how individuals interact with museums. I really feel like individuals really feel really lost in museums right now. They walk round they usually don’t really feel like they will have an opinion on something cuz its in a museum and someone else decided for them that it’s essential. And I just assume we should always give you the chance to take a look at Manet’s Olympia and be like: the cat’s eyes are crooked… what’s up with that? That’s what individuals did when it was first exhibited, you recognize! So utilizing oil painting for a extra business artwork type like comics is my effort to make the medium accessible once more.

So can you speak a little bit concerning the specific custom you’re making an attempt to paint it in? As a result of it’s sort of practical…the fashion that I’ve seen however are you going to transfer into more impressionistic type?

That’s what I’m making an attempt to do. It’s sort of constructed into the narrative that as society falls apart with the top of the world approaching, the paintings will get more energetic and impressionistic – which gels with my very own personal objectives for where I’d like my painting to evolve. I did a brief oil-painted story referred to as Queen of the Crawlers as a trial run, and acquired it revealed in Heavy Metallic Magazine 290, so that was a good little proof-of-concept.

Nice. I assume what have you discovered right here since you’ve been on the Maison? Either about your self, your process, or stuff you’ve discovered from the other residents?

Nicely for better or worse, I discovered that if left to my own units, I will turn out to be a vampire that works at the night time. (Laughs) Like the very first thing I did here was grow to be nocturnal. Then I noticed that was type of unsustainable as a result of you understand… human beings need solar. So I’ve obtained what I hope is a more balanced schedule now, which is helped by having really fantastic residents from everywhere in the world who I’m going to lunch or coffee with on a every day foundation. It’s a stereotype, however the French are really good at guarding and sustaining a wholesome work/life stability, so being around that can’t help however rub off on you. And I’ve observed myself having conversations and concepts over coffee that I undoubtedly couldn’t have without being in a supportive setting like this with people who are simply as into comics as I’m. There’s a basic vibe in this town of working professionals getting books carried out that’s really wholesome and encourages good work… Does that answer your question?

Yep it does. (Laughs) So when does your guide come out? Your next one?

Proper! Uh, nicely my next guide is definitely an unannounced challenge with Z2 Comics, but I’m on the lookout for publishers for Weight of the World within the hope that it’ll be my follow-up after that!


Fingers crossed, anyway. It’s all so tentative. I’ve been advised that things get easier as soon as your first e-book comes out? However we’ll see.